Thursday, July 5, 2012

IN THE AUDIENCE OF 
"AMERICA'S GOT TALENT"
(PART ONE OF TWO)
By Steve Ludwig

I'm a die-hard Howard Stern fan, so a few months ago when Howard told us Sirius/XM listeners that he was going to be replacing Piers Morgan on America's Got Talent, I thought to myself, "Well, I guess I'll have to watch." I'm not a fan of American Idol (although I've watched some of the finalist shows in the past); don't like Dancing With the Stars, and I had never seen America's Got Talent. AGT was one of Howard's favorite shows, and each week he'd talk about it on his radio show. He'd tell if he agreed with Sharon Osbourne, Howie Mandell, and Piers's opinions, but I still had no interest. I started watching this year only because of Howard.
So when I was at a Bill Maher show a couple months ago at the New Jersey Performing Arts Center in Newark, NJ, and the emcee told the audience that AGT would be televising LIVE this summer at NJPAC, I took out my iPhone (although we were asked to shut all phones off) and immediately put myself on the waiting list.
Sure enough, on June 26, I got an email instructing me to choose a day (I chose the first live show,  Monday, July 2, just in case the world ended before they got to do the other shows), and to print out a voucher for up to four tickets. So that's just what I did...

 Well, I knew my wife Sue would be going with me, and I knew my friend, Jeff, who was with me at the Bill Maher show, would want to go, so I asked for four tickets. The final ticket would be for Sue's cousin, Tommy. Tommy is a sweet guy. He's a mentally-challenged adult; I mention that only because it has something to do with the story. Ever since I met Howard Stern about ten years ago, Tommy thinks Howard and I are friends, and Tommy is always asking me to take him to New York City to Sirius Radio to meet him. I continually explain to Tommy that Howard doesn't know me, and that I only met him because of a friend of mine, Shelley Harris (aka "Angry Black"). [More about my meeting Howard in a few weeks.]
So I told Tommy that although we wouldn't be meeting him, we'd be seeing Howard as he sat in his judge's chair during the AGT taping. 
In addition to the voucher, a specific set of instructions were also included:
OK, so having read that admittance was not guaranteed, I knew we had to be there early on 
July 2. That wouldn't be a problem, because I was off from school (I'm a teacher), Sue, a nurse, had Mondays off with her schedule, and Tommy didn't work. And Jeff, who worked in Newark, would be only a few blocks away from NJPAC, in his office, and he'd be joining us on line later. 
On the voucher, it said that 6:00 PM would be the time we'd be going into the PAC (the live show would begin at 8). So what would be a good time to get there to be assured a nice place in line? 
By 1:30 PM we were parking the car. As we crossed the street from the parking lot to the NJPAC, it seemed pretty docile. I figured there would be more than a few Howard Stern fanatics that had camped out the night before. But there were hardly any people around. We figured maybe they were lining up inside because of the heat, even though I had received this email the previous Friday about lining up:

We went into the lobby, and a very helpful gentleman explained that people would indeed be lining up outside, and that we were there in plenty of time. Wow, cool! We were definitely gonna get a good place in line. 
Did you notice the letters "OCA" on the voucher? They stand for "On-Camera Audience" (as opposed to those who would be seated in the balconies). That meant that we'd be close enough that we might appear on TV during the live broadcast. Because of this, we needed to follow a specific dress code. I really got a kick out of this part of the instructions that they emailed:


Hip, upscale attire. Yeah, daddy-o, I can dig it! I'm groovy 'n' stuff... Hey, I want the show to look great, so, damn it, I will look great. No clothing with logos...well, so much for my Beatles T-shirt. So we all dressed as hip, upscale and bright as we could for the show.
We sat down under a couple trees and we watched as the TV crew began setting up. I figured they'd be doing an outside shot closer to showtime, ya know, of Howard, Sharon, and Howie arriving to the cheers of the crowd. Soon a marching band and some high school cheerleaders, along with Rutgers University cheerleaders, came out and began setting up.

Before long, the band began playing, and the cheerleaders were slowly going through their routine. It was obviously a practice for the live show later on. The band sounded quite good. Sue finally said to me, "The band's not really playing. They're just going through the motions." Sure enough, the music was being piped in, and the band was doing whatever the equivalent of lip-syncing is with musical instruments. I don't know if they used piped-in music for the actual live broadcast; we were inside at that time.
Up on a platform, in front of one of the raised cameras stood a guy in a black sweatsuit, with the hood up over his head, practically covering his face.
I said, "Hey Sue, isn't that...?" Nick Cannon! Yup, AGT host Nick Cannon had somehow appeared and they were setting up camera angles and stuff. We sat there and watched, goofy smiles on our faces. Hey, this is definitely cool. Before we knew it, he stepped down off the platform and walked right past us, talking on his cellphone. "Hey, Nick," Mr. Hip Upscale Me called out. He just kept right on walking with a couple other guys. (I still can't believe I didn't take his picture. Guess it happened too fast. Nah, I was just too slow.)
"Uh, oh," I said to Sue. "Prima donna."
"No, he was on the phone," Sue said. "He was busy." I still wasn't convinced he wasn't pulling the phony "talking on the phone to avoid people" move. But I'm happy to tell you that later on during the commercials on the live show, he was friendly with the audience, even signing autographs. So Nick was cool in my book.
"Who was that?" asked Tommy.
"Nick Cannon," I told him.
"Who's that?" he asked me. 
"He's the host of the show."
"Who?" Tommy asked again. He clearly was thinking only of Howard.

A few minutes later, after the cheerleaders and band went back inside, we saw a few of the contestants walking around. I recognized the 787 Crew because of their hairstyles.
"I wonder why no one's on line yet," Sue said. She decided to go back into the lobby just to make sure. 
When she came back out, she said the lines were "over there" more, and that six people had been  here since early morning. So I got up and checked, and sure enough, there were maybe twenty people on line. It was set up like an amusement park line, zigzagging back and forth. It was about 2:30 by this time, and obviously most of the people on line were wearing the "off-camera" clothing:

But it was definitely hot; they had a "mist tent" set up; if you wanted to go cool off, you were allowed to leave the line and get misted. I must say that everyone working at the NJPAC was so kind and helpful. A woman would walk up and down the lines telling us that if anyone felt ill because of the heat, tell them right away and they'd be taken care of. 
Sue and Tom sat close by, but in the shade, as I held our place in line. All the people waiting on line seemed to be friendly, too. I talked with a woman named Patty next to me in line. She was a hardcore Stern fan, as was her husband, but she said she was careful about telling people how much she loved Howard, because people may get the wrong impression of her. I told her I understood completely, that people who don't listen to Howard on a regular basis probably think he's just some woman-demeaning pervert. It really simply is not the case. Oh, absolutely there's sex talk on his show, and some of it quite raunchy. But as a fan, and a GUY fan, the sex talk is not my favorite part of all things Stern. I like it best when the crew busts each other's chops, and when they're all just being goofy and silly.
That's another reason why I'm glad Howard is a judge on AGT; people who have formed an opinion of him may get to see the other side of him that we fans see. 
Soon Patty said to me, "Hey isn't that Maryann from Brooklyn?"
Maryann is a member of what Howard calls his "wack pack." They're wacky people who call in to his radio show and over time have become a part of the show. Maryann has an especially grating voice; whenever she calls in, the great Fred Norris plays a squawking bird sound.
She was holding court, as people started gathering around her. She dressed up specially for the occasion, with black gown and tiara. Nick Cannon may have gotten away, but not Maryann from Brooklyn. I stepped out of the line and...

...took a picture with Maryann! As some fans may know, Maryann has a husband who tolerates her Howard obsession. She has two grown children, also. But she was a real sweety. She talked and posed with anyone who asked.
I decided to visit the mist tent before I got back on line. Good thing I did, because an important seed to this story was planted there. As I cooled off in the mist, one of the female NJPAC workers said to me, "Nice tattoo." I have a tattoo on my arm with an "S" interlocking with another "S."
"Yeah, I'm Steve and my wife's Sue," I explained.
"Oh, cool," she said. "I have my husband's name tattooed on me, but I want to get rid of it."
"Your husband or the tattoo?" I joked.
"Both!" she laughed.
My female tattoo admirer will be back with us in just a bit.

At about 4:00, they began checking the vouchers and handing out the real tickets. This was good, because this meant we could leave, get something to eat, and just make sure to be back at 6:00 to be seated.



By this time Jeff had arrived from his office, and the four of us sat down to eat at the NICO Kitchen, a restaurant that was attached to the NJPAC. We'd eat, then head right to the lobby; we weren't going to wait till 6:00. We had tickets, we were assured entry and assured a seat in the orchestra, but they weren't assigned seats, and we wanted to get as close as we could. AND we wanted to try to sit on the side that Howard was sitting, which would be the right side looking at the stage.
As we ate, I showed everyone my picture with Maryann from Brooklyn.
"Can I take a picture with her?" Tommy asked. I looked around from our outdoor table. Maryann was still talking to people. Here's the result:


She posed sweetly with Tommy. 
"My mother's in heaven," he told her out of nowhere. "I miss her."
"Oh, well, my dad's in heaven, too, Tommy," Maryann told him.
Tommy asked her, "Is Howard here yet?"
"No, not yet, Tommy," she replied.
"What's your name?" Tommy asked her.
She told him, and I could tell Tommy didn't want to leave her. 
"OK, Tom, let's go back to our dinner," I said to him.
As we walked away, Maryann called, "Bye Tommy, enjoy the show!"
The picture Tommy took with her is now the wallpaper on his cellphone.

The waiter brought our check, and asked us who our favorite contestants were. He was a fan of the show, and he told us that they had taken out rows and rows of seats in the NJPAC auditorium to make room for the expanded front of the stage and the judges' chairs. And, he, himself had helped them put up the ramps for the BMX Biker contestants. He gave us the inside scoop. They would tape the BMXers at about 7:30 and then insert it into the show about midway. They needed time to take down the ramps, and they couldn't do it during the live broadcast; not enough time during the commercial break.

We thanked him for the info, paid the check, and made our way to the lobby. There were already tons of people in no particular line or order; everyone was just milling around inside and outside the NJPAC, waiting for the word to start lining up. By now it was about 5:15. 
Sue said, "Hey, there's Lisa G !" Lisa G is a reporter for Howard TV. I smelled another photo op!
"Hey Lisa, can I take a picture with you?" 
It was probably my hip, upscale look that caused her to say, "Sure!"


The judges would obviously be arriving soon; Lisa G was there, the regular TV cameras were all around. Maryann from Brooklyn was psyching up the crowd with chants of "Howard! Howard! Howard!" We had to make a decision: Should we wait outside to see their arrival or miss their arrival and get back inside in case they started lining us up? We figured we'd see the judges once the show started anyway; we went inside.
Now remember when I told you the tattoo lady would figure into the story? Well, we weren't sure which gate exactly would be closest to our Door C Orchestra seats. As we were standing idly around, Tattoo Girl pointed at my tattoo and said, "Hey, it's Steve and Sue."
"Yeah, hi. Where exactly should we line up to get to our seats?" I was getting worried it would turn into a race for the seats, with everyone pushing each other.
"Well, actually everyone is going to have to leave the lobby and line up outside in a few minutes. Mayor Booker (Cory Booker, mayor of Newark) will be here, and everyone needs to get scanned."
Oh, no, we thought. We looked outside. We'd be so far back in line!
Before we even got to the door to go outside, my tattoo friend saved the day. She actually went out of her way to get us.
"I just found out they're gonna let people in this gate right here."
She led us to the first gate that would allow people entry. We would be first to get in!
Through the gate, we, and the other audience members who quickly caught wind of what was going on, saw a very familiar figure walking up on the second level inside.
"Hey, Howard!!" someone yelled.
Sure enough Howard Stern was walking somewhere with a group of people. He was gone from sight in seconds. But that brief sighting made all of us smile.
The security started setting up the scanning stuff just inside our gate. Suddenly people were calling Howard's name again. Now he was on the first level (our level) going toward one of the doors to go outside to do TV interviews. When he heard us calling, he stopped, smiled at us, and gave a wave.
Oh yeah, Howard acknowledged us. We are all ready!
The gates opened and we walked into the hall that led to our door, Door C. But just before we got there, the crowd of us were stopped by security and asked to wait. The judges were still outside, and as soon as they were finished with the interviews and back inside, then we could proceed.
"Sue, do you realize they all have to walk right past us?" I asked.
I couldn't believe our luck. All of us with tickets to go in Door C were waiting right by the door that Howard, Howie, and Sharon would come through. We were right there!!
Fans of Howard will know these two names: Ronnie the Limo Driver and Ralph Cirillo. They were both outside; I could see them through the window. 
A couple "TV types" came in through the door. The interviews must be over. Sure enough, Sharon Osbourne came through the door. A couple Ozzy-sounding "Sharon!" calls came from the crowd. She smiled and waved as she kept walking. 
Then a real buzz began. Ronnie the Limo Driver (who doubles as Howard's security guard) came through the door. And who followed? 
"Howard!! Howard!!" People were going crazy!! The security people locked arms to keep us from getting past. Would Howard acknowledge us? Would he be a stuck-up creep and ignore us??
He came in smiling and ready to fist-bump the fans. Here's a picture I took:

You'll be happy to know that fist on the right belongs to Sue's cousin Tommy. Yup! He got to bump fists with Howard!!
Not only that, this next picture is Howard and Sue bumping fists!!


Can you believe it? My wife Sue and her cousin Tommy made contact with Howard! These pictures are screencaps from a video I took. That video will appear on YouTube in about a week.
As for me? Well, some poor slob had to take the pictures, and I'm that hip, upscale slob.
But that's ok, I took a picture with the SternMeister General a few years ago. You'll see that picture in a few weeks in a different, all-Howard blog.

That'll do it for Part One. In about five days, I'll post Part Two. I'll take you behind-the-scenes of the July 2 live broadcast with some cool stories and even cooler pictures.


NO! NO! DON'T DO IT RINGO!! I'D NEVER FORGET YOUR BIRTHDAY!!!
 THE GREATEST DRUMMER IN THE WORLD, RINGO STARR, HAS A BIRTHDAY ON JULY 7. I HAVE A SPECIAL BLOG ALL READY TO POST FOR YOU TO READ, PLUS A BRAND NEW YOUTUBE VIDEO THAT I CREATED IN HONOR OF THE FAB STARR!!


Do you love pop culture like I do? Why not check out my radio show, STEVE LUDWIG'S CLASSIC POP CULTURE at www.PlanetLudwig.com. Thanks!

                                        



IF YOU ENJOYED READING MY BLOG, WOULD YOU KINDLY CONSIDER BUYING MY BOOK? IT'S CALLED SEE YOU IN CCU: A LIGHTHEARTED TALE OF MY OPEN-HEART SURGERY. IT'S SILLY! IT'S GOOFY! TO ORDER, PLEASE GO TO 




As always, thanks so much for all your support!  Steve 










Tuesday, June 26, 2012

the most ordinary

"Searching for the time that has gone so fast; the time that I thought would last...My ever present past."
                                                    -"Ever Present Past"
                                             
THE GREAT PAUL McCARTNEY AT 70
(Part Two of Two)
By Steve Ludwig

Paul's our pal. He's our friend. A buddy. Whether you grew up with Paul as a first-generation Beatles fan, or met him way after the Beatles (or WINGS!!) split up, he's had our backs. He's opened doors into musical rooms that we never would have known existed without him. Paulie's written pop songs, rock songs, ballads, ballets, classical pieces, poems, and stories. He's created drawings and  paintings, some dating back to his days as a student at the Liverpool Institute for Boys. He actively supports over thirty charities...or at least thirty that are public knowledge.
While he easily could have afforded to send all of his children to exclusive private schools, he insisted they all attend public schools, because if public schooling was good enough for him, it was good enough for his kids.

Since I was in the fifth grade, and I first saw the Beatles on the Ed Sullivan Show a few years ago ["a few years" = "48"], John, Paul, George, and Ringo's lives have been a part of mine. Heck, Paul even made eye contact with me once! [See my April 7, 2012 blog...]

The recent special edition of TIME magazine, celebrating Paul's 70th birthday, described him as "...the most ordinary of extraordinary men: a historical figure with a common streak, a genius who's still not entirely sure where it all comes from, or came from."
Ok, so maybe Paul became "Sir Paul" in 1997 when Her Majesty (I understand she's a pretty nice girl, but she doesn't have a lot to say) knighted him, but to his fans he'll always be "Macca" or "Paulie" or just "Paaaaauuuuuulllllll!!!!!"

 In addition to the genres of music that Paul has produced that I mentioned in last week's blog, his most recent is an album of standards, KISSES ON THE BOTTOM.  (The Beatles were always ahead of the pack. Ringo beat them all to the "standards album" trend. In 1970, he recorded SENTIMENTAL JOURNEY as a musical gift to his "mum.")

Would you like to join me once again in exploring some of Paulie's commercially released, yet probably lesser-known songs?

Hardcore and even casual Beatles fans know that the school of thought that John was the "rough-edged" songwriter and Paul was the "softie" is too simple in defining J & P's writing techniques. Listen to John's "Good Night" (sung by Ringo on the WHITE ALBUM), then switch to Paul's "Helter Skelter" (also a WHITE ALBUM track), and you'll see what I mean.
The same can be said for each of the Fabs' solo careers. There are always a few neat surprises in store for us on every new release.
Here are a few of the Big Mac's best (and perhaps least-known):

What the hell gives you the right
To tell me what to do with my life?
Especially when you made a mess 
Of every chance you had of success
Look at you...I'm angry just looking at you!
                                                                       -"Angry"

Well, I'm fed up with your lying cheating ways
But I get up every morning and every day
Oh woman, where did you get that gun?
Oh woman, what have you done?
                                                              - "Oh Woman, Oh Why?" 

TUG OF WAR and PIPES OF PEACE were back-to-back album releases by Paul, extending the "peace and love" messages begun with the Beatles.


Hidden on a B-side CD single, not found on any McAlbums, is a song called "Big Boys Bickering."
Here are a few lines:
So while they argue through the night
Shakin' their sticks of dynamite
Babies are dying through the day
They wanna blow us all away
Big boys bickering
Fucking it up for everyone...

And both Paul and Ringo have sung John's "Give Peace A Chance" on their recent concert tours.

Paul has never shied away from queries about his past drug use. Last year, he said he doesn't even smoke pot anymore. But that wasn't always the case.
 I recall an interview Paul gave in 1967 when speaking to a reporter about answering an interviewer's question honestly, he admitted to experimenting with LSD. The reporter asked Paul if he [Paul] felt it was irresponsible to admit that, what with the Beatles having so many young followers. Paul's reply: "If he keeps it quiet, I will. I'm not trying to spread the word. It's a private thing, but I didn't want to lie about it. It's his responsibility for spreading it, not mine."
Not much has changed with certain factions of the media, some forty-five years later, huh?
When asked in the early 80's to contribute a song to an anti-heroin charity album, Paul obliged with lyrics that cut to the chase:
Would you rather be alive or dead?
It's as simple as that.
                                                  -"Simple As That"


Ya think we can pretty much agree that one of our Paulie's strong points is his ability to write not-always-so-silly love songs?
He can turn a phrase better than anyone:

On the wrong side of midnight
Your defenses slipped away
                                                   -"Write Away"

When you're fed up shedding too many tears
And your memories seem like just so many souvenirs
I will come to ease your pain
                                               -"Souvenir"

She makes me do things I don't want to do
I don't know why I should be telling you
I know that you want her, too
                                                            -"You Want Her Too"

Something special between us
When we made love, the game was over...
                                                       -"However Absurd"

And I read the note 
That you never wrote to me
                                                                     -"The Note You Never Wrote"

"Buy Buy" says the sign in the shop window
"Why? Why?" says the junk in the yard
                              -"Junk"





Paul's lyrics run the gamut of themes, among them peace, romance, family, the different levels of love...and mortality.
When he was only 24 years old, Paul wrote with John, "Life is very short, and there's no time for fussing and fighting, my friend ("We Can Work It Out")." Early on in his solo career, Paul tended to deal with mortality in a duality - in first and third person:
  Treat her gently, treat her kind
She doesn't even know her own mind
Here we sit, two lonely old people
Eking our lives away
Here we sit, out of breath
And nobody asked us to play


Since George and John's untimely deaths, though, Paul has dealt with his own mortality head-on:

On the day that I die
I'd like jokes to be told
And stories of old
To be rolled out like carpets
That children have played on and laid on
While listening to stories of old...


Now wouldn't that have been the perfect way to end this blog?

However...In the spirit of ABBEY ROAD, when our four heroes chose this message, amid lush orchestrations, to bring an end to their career...their final message to the world on their final album...

And in the end the love you take
Is equal to the love you make

...or so we thought that was it. But our irreverent Lads from Liverpool chose to leave a recording engineer's tape mistake tacked on after a twenty-second pause...something about dear ol' Paulie needing to get drunk on wine before telling the Queen of England that he loved her.

SO, in honor of Liverpudlian irreverence, I shall leave our Paul birthday celebration with a couple lines from Mac's "Smile Away":

I was walking down the street the other day
Who did I meet?
I met a friend of mine and he did say
"Man, I could smell your feet a mile away!"

HERE'S TO SEVENTY MORE, SIR PAUL!!!





[Hey, if you'd like to check out the YouTube video ("Macca the Magnificent") that I put together in honor of Paul's birthday, here's the link: http://www.youtube.com/watch?v=rmSc6jJWLZs .]


I love pop culture, and if you do, too, you may enjoy my radio show, STEVE LUDWIG'S CLASSIC POP CULTURE. Why not check it out at www.PlanetLudwig.com ? Thanks!

                                      




IF YOU ENJOYED READING THIS BLOG (or even if you didn't!!), WOULD YOU BE SO KIND AS TO CONSIDER BUYING A BOOK I WROTE? IT'S CALLED SEE YOU IN CCU: A LIGHTHEARTED TALE OF MY OPEN-HEART SURGERY.
FOR ORDERING INFO, GO TO  www.ccubook.com .


As always, thanks for everything...Steve


















Tuesday, June 19, 2012

"Everything is under the sun, but nothing is for keeps..."
                                               "However Absurd," by Paul McCartney

THE GREAT PAUL McCARTNEY AT 70 
(Part One)
By Steve Ludwig

Even if the Beatles had done nothing musically for the rest of their lives after their split in 1970, their legacy in music would have remained untouchable.
But in somewhat of an ironic twist, their ever-increasing talents and desire to move forward led to their breakup. Each of our beloved Fab Four - John, Paul, George, and Ringo - had much more to offer us. 
For the Beatles (even though each new album opened new windows in our minds), the confinement of a group was surely stifling the four of them. So they moved on, with each one providing us with so much more memorable music.
Our Paulie turned seventy on June 18, and I'm reminded of a line from a song by two other favorite 60's icons, Simon and Garfunkel: "How terribly strange to be seventy..." ("Old Friends"). 
How terribly incredible that Macca has released at least FORTY-SIX (I may have miscounted one or two) albums since the demise of the Beatles!!
To the casual fan, Paul is probably thought of as a writer of melodic, sometimes sappy  love songs. Yup, Paul has recorded more than a few of those in his post-Beatles career. But he has also written and sung some of the finest, most eclectic lyrics any music lover has ever heard:

When a rattle of rats had awoken
The sinews, the nerves, and the veins
My piano was boldly outspoken
In attempts to repeat its refrain...
              ("Monkberry Moon Delight")
                   
Off to the flicks with a piddle in her mix
To the fair with her hair in curlers
Her cousin couldn't get down to the pleasure dome
Her cousin had to spend the night in an aircraft hangar, memories...
                                                                                                                ("Spin It On")




Here's one of my favorite quotes by Paul: "I used to think anyone doing anything weird was weird. Now I know that it is people that call others weird that are weird..."

The Big Mac has given us five of the most experimental albums that anyone, any age, has produced. His TWIN FREAKS remixes twelve of his lesser-known solo tracks in an ambient, electronic dream. Some of these tracks are played before Paul's concerts, as the crowd is "...waiting for the show to begin."

And while McC, early on in his solo career, shunned Beatles' music, he has now wholeheartedly embraced this part of his legacy. In the extremely (some might say, weird...but if so, in the best creative sense of the word) experimental LIVERPOOL SOUND COLLAGE, four out of the five tracks include studio banter, played in loops, of the Beatles at Abbey Road Studios.

Paul's electronica alter-ego, "The Fireman," has given us "strawberries oceans ships forest";  "Rushes" (Yup. "The Fireman 'Rushes,' as in "...the fireman rushes in from the pouring rain, very strange...Penny Lane [c'mon, sing it with me!!]), and his most recent Fireman album, "Electric Arguments." It's from this album that I chose the music for my recent YouTube video that I put together in honor of Paul's 70th birthday. The song I used is called "Universal Here, Everlasting Now," and I titled my video "MACCA THE MAGNIFICENT" (for obvious reasons).
It's 5 1/2 minutes long. If you'd like to check it out, here's the link: http://www.youtube.com/watch?v=rmSc6jJWLZs 

If you're able to watch and listen, you'll get a good idea of the imaginative music Paul is producing these days.


Paul's rule of thumb is, "If it has a face, I won't eat it." A legendary animal activist, Paul chose a vegetarian lifestyle more out of his love of animals than for health reasons, although he says there's no denying this lifestyle's health benefits.
As would be expected, he has more than a couple musical references to animal rights in his music.
Way back in 1971, on his WILD LIFE album, our favorite MacMan sang:
                   
There's animals everywhere
And man is the top, an animal too
And, man, you just gotta care
What's gonna happen to wild life?
The animals in the zoo...
                                                   ("Wild Life")

During one of his world tours, before he came out on stage, Paul presented a video of sometimes disturbing images of animal cruelty. After seeing this presentation, my brother Bill was so moved, that he adopted a vegetarian lifestyle. My other brother, Tom, is also a vegetarian. (As for me, um,  I'm still working to get there. But I digress...)
In "Looking For Changes," Mr. Bassman writes some of his strongest anti-cruelty lyrics:
I saw a cat with a machine in his brain
The man who fed him said he didn't feel any pain
I'd like to see that man take out that machine
And stick it in his own brain

I saw a rabbit with its eyes full of tears
The lab that owned her had been doing it for years
Why don't we make them pay for every last eye
That couldn't cry its own tears

I saw a monkey that was learning to choke
A guy beside him gave him cigarettes to smoke
And every time that monkey started to cough
The bastard laughed his head off

We'll all be looking for changes
In the way we treat our fellow creatures...
                                                                   ("Looking For Changes")


As Paul says, "If slaughterhouses had glass walls, everyone would be a vegetarian."
He wears faux-leather, because we all know where the real thing comes from. 
Here's some clever storytelling by Paul in his song "Long Leather Coat." At the outset, we're led to believe a woman has a crush on a guy. She even writes him a note, inviting him over for a late-night rendezvous. Ah, but if I may borrow a line from a George Harrison song, "...the answer's at the end..."
                     
                                                           "I'm all alone," said she.
"No one to phone, no one to touch me." 
"I'm on my way," said the man in the long leather coat.

"I'm glad you came," said she.
"You got my note, you understood it."
He smiled as he hung up his long leather coat
On the back of the door.

She said, "You go on ahead."
She took out the key and locked him in the bedroom.

"Now I am alone," said she.
She took a can of really red paint
And she sprayed up and down on the long leather coat.

"So long, baby, I took you in just to show that
Your long leather coat is really nothing 
But a handful of skin...
Let the party begin!
                                                      ("Long Leather Coat")




There's so much more to Paul's post-Beatles musical life that I'm wondering if next blog's Part Two will be enough! 
We'll see then, when Paul answers the musical question: "What the hell gives you the right to tell me what to do with my life?"


IF YOU ENJOYED READING MY BLOG WOULD YOU BE SO KIND AS TO CONSIDER READING MY FIRST BOOK ABOUT MY QUINTUPLE OPEN-HEART BYPASS SURGERY?
WOULDYA?? COULDYA? THE BOOK IS CALLED SEE YOU IN CCU: A LIGHTHEARTED TALE OF MY OPEN-HEART SURGERY. YOU'LL FIND ORDERING INFO AT www.ccubook.com .


Music-lovers unite! Check out my brother Bill's music blog at www.360sounds.wordpress.com.
His latest blog talks about the pre-disco BeeGees (that's when they were the REAL BeeGees!).

As always, thanks for everything! Steve










Saturday, June 2, 2012

SHOOTING A PROMO FOR MY BOOK,
SEE YOU IN CCU: A LIGHTHEARTED TALE OF MY OPEN-HEART SURGERY
By Steve Ludwig


How lucky can one guy be? I fulfilled a lifelong dream of writing a book and having it published. Then to promote my book, Mare Russell, my friend and the mom of a former student of mine, contacted me and through her friend, Evan Ginzburg (a movie producer), I appeared on Evan's internet radio show, Legends Radio, to promote my book and to promote my first-ever public reading at Gizzi's, in Greenwich Village, NY (Evan is the talent booker for Gizzi's.). THEN, thanks to another friend, Lynn Paret, I was able to book a second reading date at The Coffee Machine, 175 Main St., Ridgefield Park, NJ for Friday night, June 29, 2012 from 7:30 to 8:30 PM. Lynn, an accomplished artist, will have her paintings displayed at the Coffee Machine. Please check out her Facebook page, Lynn Paret Portraits, and be prepared to be amazed at the genius of Lynn.
What more could I ask for? Nothing, right? Well, I was asked by Mare's son, Rye Joseph, if he could shoot a promo for my book! Rye is a former student of mine. He was one of those students that a teacher just naturally took to; a great kid, down-to-earth, a hard worker...Well, Rye is now himself a successful movie producer and director. His latest work, the award-winning documentary, Theresa Sareo: Alive Again (directed by Rye and produced by Evan Ginzburg), will appear in a theater near you, followed by a dvd release. (Check out the trailer at 
http://www.imdb.com/video/wab/vi1407820057/). [You may have to click twice on the link.]
So Rye, simply because he's a great guy, asked if he could repay me for my support of him as his teacher by shooting a promo to help promote my book. After pinching myself over my good fortune, I was in Central Park, NYC, last Saturday along with my darling of a wife, Sue, and Rye and his girlfriend, Yu Mei Wei, to shoot my promo.
Susie brought along her camera, and her behind-the-scenes shots appear in this blog.
We all met at the 57th St. entrance to Central Park at 11 AM. Days earlier, Rye and Yu Mei had scouted out locations in Central Park that they felt might work best. Rye even sent me footage with Yu Mei walking through what would become my steps, so I could get a feel for what to expect on this "shoot."
Rye's mastery in his field was apparent before he even turned on the camera. He knew the angles that would work best, he took the time of day and the sun's position into consideration for the lighting-- Rye was the man!!! He had done all the work beforehand. Good to know a former student still did his homework!
This "promo stuff" was all new to me. A few days before this, Rye and I had exchanged emails. He left the dialogue up to me, and he was interested to know what I had come up with. He brilliantly tweaked a couple of my lines; I was ready to walk and talk for my director.
Rye made Sue and me laugh a couple times. He had to step over a fence or two to get a couple angles he desired. "Let's shoot this fast," he suggested. "I gotta get outta here before somebody sees me."
Being it was the Memorial Day weekend, and the weather was sunny and hot, Central Park was full of people. We had to wait more than a few times for people to pass. While they passed, I'd inadvertently move a step or two off my spot. "Back up a couple of steps," Rye would tell me. He could tell right away.
As you can see in these next couple of pictures, there was a neat role-reversal happening on this day. Years ago, I had been Rye's instructor; now he instructed me, on all things promo:


Also a few days before this shooting, Rye had asked me to email him pictures from my book, including my brother Tom Ludwig's hilarious illustrations, and pictures of the front and back book covers (my nephew Billy Ludwig, a professional photographer, had taken the back cover photo).
"But bring a copy of the book anyway," he suggested.
Here's why. Rye and Yu Mei had found a particular tree, and Rye placed the book on one of its branches, for what turned out to be a really cool part of the final product.

Rye and Yu Mei work well together. Rye told Sue and me that Yu Mei had found a really beautiful spot that might make a nice backdrop for one of our scenes. So over we walked to this fabulous spot with waterfalls, rock formations, and of course, shrubbery. Here I am posing with Yu Mei and her backdrop:


In front of us at this spot were a bunch of park benches. On one sat a woman with one eye reading her book, and the other eye watching Rye work his magic.
She finally asked, "What?" (as in, "What are you guys doing?") and nodded her head toward the whole proceedings. Rye, in turn, nodded at me, and I explained I had written a book and we were shooting a promo for it.
"Oh, I like books," she pleasantly said. "What's it called? Where can I buy one?"
I reached into my bag and gave her a copy of my book. 
"Here, hope you enjoy it," and I let her have the book as a little gift.
And I know that's why I'll never get rich writing books, and why I'll be sure to keep my day job, but she seemed like such a nice person, and she did say she'd tell her friends (My luck, she told them, Hey there' s some dope givin' out free books by the waterfalls!").

As we neared the end of our afternoon's work (the whole thing took about three hours), the temperature was easily into the 90's. Rye said we needed to find a shaded area to cool off, and so I could do some voice-overs. Why voice-overs? Good question, because that what I wondered, too.
Rye wanted to make sure, just in case my on-camera speaking wasn't loud enough, etc., that he'd have some back-up audio. 
So we found an area where chess tables were set up, and people were busily moving pawns and rooks.Meanwhile, my king of a director had me repeat several lines about four times each. He told me to say them once, pause for a second, then say them again. He didn't say, "Cut," or anything like that; Rye wanted me to just keep saying the lines. 
Here I am doing my voice-overs (looking as if I knew what I was doing...):


When the voice-overs were finished, so was our day.
For the entire promo, Rye left everything up to me. "Whatever you want to do is fine with me, Lud," he'd tell me. And respectfully, he'd offer his professional opinion if need be.
We left Central Park, and ate at a nearby restaurant, where Rye showed me the day's "rushes" (I think that's what they're called.).

Then we said our goodbyes; Rye and Yu Mei were off to do another shoot, and Sue and I were left with some really wonderful thoughts. 
There was never really any doubt in my mind, but my love of teaching was once again confirmed with this day's experience. How else would I have met such  great people like Rye, and through Rye, Yu Mei? And of course, Rye's mom, Mare, who always told me how much she appreciated my work as her son's teacher. And to know that Rye had grown into a successful professional, following his passion, was heartwarming.

Yesterday, Rye posted the finished promo on my YouTube page. So would you like to see the finished product? Simply do a search on YouTube for "SEE YOU IN CCU Promo" or click on this link (You may have to double-click):





By the way, if you or anyone you know would like to use Rye Joseph's services, just contact me at my website:www.PlanetLudwig.com and I'll forward your request to Rye.
Thanks!

I really love pop culture. Do you? You may enjoy my radio show, STEVE LUDWIG'S CLASSIC POP CULTURE at www.PlanetLudwig.com. Thanks!

                                    


IF YOU ENJOYED READING THIS WEEK'S BLOG, WOULD YOU BE SO KIND AS TO CONSIDER BUYING MY BOOK THAT WE SHOT THE PROMO FOR: SEE YOU IN CCU: A LIGHTHEARTED TALE OF MY OPEN-HEART SURGERY. All the info can be found at www.ccubook.com.



As always, thanks to all of you for reading!
Steve Ludwig