Monday, January 21, 2013

"DOPEY SPORTS CLICHES"
By Steve Ludwig

[This blog is dedicated to the late, great KEITH JACKSON, who, when he referred to the Rose Bowl as The Grand-Daddy of Them All, uttered the only cliche I'll never get tired of...]

OK, the Super Bowl teams have been determined. Unfortunately, so have most of the things that will be said leading up to, during, and after the biggest sporting event in America.
Not only can we expect the dopiest, most worn-out cliches to invade our ear canals and abuse our eardrums, but we'll hear the most long-winded, unnecessary phrases to explain the simplest of ideas.

My friend Anna recently sent me an essay written in 1985 by the great Kurt Vonnegut. It's called "How To Write With Style," and in it, Mr. Vonnegut offers eight steps for successful, stylish writing. 
One of these steps is "Keep It Simple."
So, dear sports announcers and commentators, if a guy can run to the sidelines to turn the corner well, please don't tell us about his great lateral mobility! Tell us he can run toward the friggin' sideline!
And if a team loses its first game of the season, stop with the "They've fallen from the ranks of the unbeaten."
Sports are sports! Don't make them any more than they are. We want to watch a bunch of guys or women throw, catch, carry, kick, and hit a ball. That's it!
Stop being pompous fools, commentators; whether you're smart or not-so-smart, all we want is to watch the game, and for you to clear up a few things we may not know. We'll love you for it, and respect you even a heck of a lot more!
If a guy fumbles, say that! Don't tell us he put the ball on the ground. If a guy jumps up, I don't think to myself, Hey, he can really vertically elevate himself...
It doesn't make us think you're any brighter than you're probably not, OK? 
And if you guys do have a brain, please abide by the KISS method: Keep It Simple, Sir.
I promise you we'll eventually turn the sound back up if you simply report the action.

And hey, you athletes, we don't give a rat's backside what you have to say, either!
After all, most of today's color commentators were college athletes who cut class to play in games that began at 9:00 PM the night before they had to report for classes they never attended that were held halfway across the country.
When there's a fight on the field of play, and an announcer points out to us, Looks like we're gonna have some extracurricular activity on the field, uh, I hate to break it to ya, but the game itself is extracurricular activity. The curricular activity is what's happening back in the classrooms. The classrooms, the places without grass on the floor; the rooms where, just like on the gridiron, everyone's on the same page. They must be the students of the game, huh?

But hey, I shouldn't pick too much on the poor athletes, I mean, students...I mean, athletes, I mean...Um...Back to the announcers...

When a team's been mathematically eliminated, is that any different than being simply (thank you, Mr. V) eliminated? How about being grammatically eliminated, like most commentators?
Even though the experts tell us that statistics tell the whole story, those statistics can be misleading...And what's the difference? When these two teams get together, you can throw the statistics out the window! And let's face it anyway, they're probably better than what their record indicates.

At least when a player is the best in the business, it's acknowledged that our beloved sports are, indeed, a business, first and foremost. After all, they pay him to make those plays, including that pass that was right on the money. Well, as long as we fans are getting our money's worth. And oh yeah, don't forget the speed merchants: they have speed to burn, blazing speed, and blinding speed.

Of course, anything can happen, even though a team controls its own destiny.

It's a game of inches especially when it all depends on where they spot the ball.

It's amazing how talented these athletes are. They moonlight as clowns and band members as they make their circus catches while marching down the field.

Even though a player may be the best in the game, no question about it, our beloved commentators will, nonetheless, talk about him ad nauseum, the entire game. But why do they even waste their time? Because, after all,  you can't say enough about him.

And, my god, hasn't pro football become religious? Even if a team hasn't got a prayer, their quarterback will stubbornly throw up a prayer (usually a Hail Mary) anyway. And once, pleeeaaasse just once, may I hear this after a game: "I'd like to blame my lord and savior, Jesus Christ, for making us lose the game."  Just once...Is that so much to ask?

I know now why football players wear shoulder pads: usually it's one poor schmuck who has to carry the whole team on his shoulders. 
But why does a team need the sideline benches? I mean, don't these guys LITERALLY work their butts off? How can they sit without their butts? And all that wasted money on the domed stadiums; the fans are gonna eventually literally raise the roof with their volume.
Don't get me started on my "literally" tirade! I mean, as a teacher, I give 110% to my students in the eighth grade to teach them the literal difference between figurative and literal. Oh, did I mention my EIGHTH-GRADE students know the difference? Oh, but that's right, my students, some of whom also play sports, actually go to class.

But it's nice to know that teams never have to go to the stationery store for supplies 'cause he's the glue that holds the team together.

Thank goodness we stupid fans have these commentators to lay these words of wisdom on us that aren't obvious to our feeble minds: 
      -You really want to come away away with some points when you're this close.
      -They have to stop the big play.
     - You don't want to give up the ball in this situation.
     -They need a win to end their losing streak.

I'm also grateful to be told about this promising young rookie. I haven't seen many promising senior-citizen rookies lately.

R.L. should do well in the Super Bowl...He has killer instincts, and turnovers kill the offense.

If you lose, you go home. And while you're home, don't forget your wake-up call and then look yourself in the mirror to figure out why you're not competing for the whole enchilada. While you're at it, open your window of opportunity and throw the game plan out the window.

When athletes play within themselves, do they also reach their deepest penetration? (Yuck!  I don't even want to think about them being in a groove...)

If it's gut-check time, I bet they'll cough up the ball. Coughing up the ball because they're sick? Not feeling well? Ill, perhaps? Hope not, because you can ill-afford to make an ill-advised pass.
Why, I think you should go so far as to fire the coach who gave that ill advice, even if he knows what it takes to win. Maybe someday that once-brilliant coach will regain his past form, because if he merely regains his form, he's not really...oh, wait, yes he is...

Does a player get his bell rung before he gets his clock cleaned? And why be nice and clean the clock if the clock is his own worst enemy?

So watch as one team sucks it up, turns it up, and cranks it up until it's reached the next level and is crowned World Champion, aka the best team in the United States.

Frankly, I've had it up to here. But I'll be watching AND listening, as I know you will be, too. 

                                                 This one's going down to the wire...
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Thanks for the more than 10,000 page views of my blogs.

If you like pop culture, you may get a kick out my radio show, STEVE LUDWIG'S CLASSIC POP CULTURE at www.PlanetLudwig.com. Thank you!




If you enjoyed reading this blog, how's about checking out my first-ever book? It's called SEE YOU IN CCU - A LIGHTHEARTED TALE OF MY OPEN-HEART SURGERY.
Yes, quintuple open-heart bypass surgery can be funny, as I prove in my book. Buy it  from my website:  www.PlanetLudwig.com.  Thanks!!



And hey diddle diddle, my brother Tom has his own darn good blog. It's called Second Grade Minds, and it's two adults who have been friends since the second grade discussing (and usually disagreeing on) today's top stories.

As always, thanks from the bottom of my healthy heart for taking the time to read my blogs...Steve Ludwig
































Saturday, January 5, 2013

THE BEATLES NEVER REALLY BROKE UP
Part Two
By Steve Ludwig


Dear Friend, what's the time?
Is this really the borderline?
Does it really mean that much to you?
Are you afraid, or is it true?
                                                                           -Paul McCartney, "Dear Friend"

After John's vicious attack on Paul in IMAGINE's "How Do You Sleep?," Paul offered an olive branch to his past songwriting partner with "Dear Friend," from his WILD LIFE album.
Perhaps Paul felt the previous things had been said by both he and John as a result of the stress (or the fear of the unknown) of the Beatles' breakup, but it seemed pretty obvious Paul wanted to give peace a chance.
And, sure enough, never again would the former  Lennon-McCartney songwriting team use their words as a lyrical assault on each other.
From this point on, any reference by the four fab ones to each other would be tongue-in-cheek at worst and absolute joyfulness (and at times, heart-wrenching) at best.

In 1973, Ringo provided us fans with as close to a Beatles reunion as we ever had since their official breakup in April 1970.
With his signature album, RINGO, the Starr Man and his three Liverpool band-mates appeared on the same album, although not all four of them together on one track. 
The album's cover hearkened back to SGT. PEPPER; the four Beatles, illustrated, along with their wives (their new, more important partners) gather around a star:

                                                     
Within the grooves, the John Lennon-penned "I'm the Greatest" came closest to a musical reunion, as Ringo, John, and George (joined by Beatles friend, Klaus Voorman, on bass & LET IT BE guest, Billy Preston) performed the song. 
Paul wrote and performed on "Six O'Clock" (as well as playing kazoo on "You're Sixteen"), and George, offering the most assistance not only on this album but throughout his career, to Ringo on "Photograph" (George co-wrote it), "Sunshine Life For Me (Sail Away Raymond)," which George wrote solo, and "You and Me Babe" (George and Mal Evans, co-writers). During the fade-out of "You and Me Babe," Ringo mentions, "...George Harrison, John Lennon, Paul McCartney...So it'll be goodnight from your friend and mine, Ringo Starr." To us Beatles fans, that closing was pure gold.
 In the same year, Georgie released LIVING IN THE MATERIAL WORLD, with the title song recalling the early days: 

                                                   Met them all here in the material world
                                                   John and Paul here in the material world
                                                  Though we started out quite poor
                                                  We got Richie on a tour...

And playing drums on the track? Richie Starkey, of course.
Here are Richie and "Bishop" Harrison at the MATERIAL WORLD photo shoot:



Beatles fans had a big year in 1973; each of our boys released a solo LP.

John's MIND GAMES was released to mixed reviews, while critics raved about Paul's BAND ON THE RUN.
The official video for BAND contained movies and still pictures of the Beatles; no mention of solo Paul or Wings.
Chances of a reunion were definitely looking better for us fans.

GOODNIGHT VIENNA, Ringo's album from 1974, featured Dr. Winston O'Boogie Lennon on the title track. John wrote, played piano, and sang chorus on the song (as well as counting in this song and the song's reprise at the conclusion of the album); he also played acoustic guitar on Ringo's remake of the Platters' "Only You." We incurable Beatlemaniacs also heard John uttering, "only you" during the track's fade-out.


I'll be the first to admit I may read more into Beatles doings than what may actually be there, but that's simply a side effect of the mania; I have the illness, and it's bigger than me! GOODNIGHT VIENNA's album cover has Ringo's head replacing that of actor Michael Rennie's (not as gruesome as I just made it sound..) in a still from the sci-fi movie, THE DAY THE EARTH STOOD STILL. I wonder how many music lovers like me think of the first day they heard the Beatles as being the day their musical earth stood still. 
Oh, and by the way, Rennie's character was named Klaatu, which later became the name of a band often, erroneously, thought to actually be the Beatles. 
See how much fun the Beatles make our lives?

While John's WALLS AND BRIDGES, also from 1974, didn't make any direct references to Beatle songs, two of WALLS's songs borrowed from them: In "Goin' Down On Love," John appeals, "Somebody please, please help me..." And in "Surprise, Surprise (Sweet Bird of Paradox)," John sings, "Sweet sweet sweet sweet love...Sweet sweet sweet sweet love..." sounding just like "Beep beep mmm beep beep yeah!" from "Drive My Car."
It was clear that, by 1974, John had re-thought his "I don't believe in Beatles" lyric from 1970...

And in his final album release before his self-imposed, five-year exile from the music business  (in order to raise his second son, Sean), John released an album of some of his favorite rock 'n roll tunes. Aptly (or is that, Apple-ly?) titled ROCK 'N' ROLL, the album cover features a young John Lennon in Hamburg, leaning inside a doorway. The picture was taken by German photographer (and mate) Jurgen Vollmer. Walking past John in the photo are three blurred figures. Vollmer revealed that the three guys in the picture are Paul, George, and fourth original Beatle, the late Stu Sutcliffe (Ringo had not yet become Fab). 


As if this weren't enough to show us fans that the ex-Beatles were now OK with being Beatles, then many years later (twenty-nine, to be exact) we heard something we had never heard before, on the remastered CD of ROCK 'N' ROLL. On the original release, John's closing song was Lloyd Price's "Just Because." As the song fades out, John says goodbye, etc. and that's pretty much it. Well, on the re-release's bonus track, "Just Because (Reprise)," the fade-out continues on for another minute. And it's here that fans hear John say, "It's been a long year. It's all down to Goodnight Vienna. I'd like to say hi to Ringo, Paul, George...How are ya? What's cookin'?"
Yeah! Yeah! Yeah!

What was cookin' was "Cookin' (In the Kitchen of Love)," the song which John contributed to his pal Ringo's 1976 ROTOGRAVURE album. John played piano and sang background. 
I mentioned before how hearing Ringo thank his buddies at the end of the RINGO album was pure gold. So was the song that Paul had written and performed on for the ROTOGRAVURE album; it's called "Pure Gold." 
Although George wasn't available to record for Ringo, he did write a song for him to sing on the album: "I'll Still Love You."

Just as John had on WALLS AND BRIDGES,  those other three zany moptops from Liverpool would also, now and then, allude to a Beatles song. 
In his video for "Ding Dong, Ding Dong," George appears in his Sgt. Pepper uniform as he rings out the old, and in his present-day garb for the "ring in the new" lyric.
Paul's "Coming Up" video has Big Mac assuming a number of roles as members of Paul's backup band -- including "Beatle Paul," as Paul self-mockingly wears a Beatle wig and collarless suit, all the while performing the "cute" Beatle's "Whooooos" and thumbs-ups...


George's "This Guitar (Can't Keep From Crying)" and "Here Comes the Moon," from EXTRA TEXTURE and GEORGE HARRISON are obvious Beatle references.



For the rest of their lives, JPG&R would be asked by people from the fab four corners of the world if the Beatles would ever reunite.
We all know that question was answered on December 8, 1980, with John's shocking and senseless murder by handgun.
Five months later, George rewrote the lyrics to a song he had originally intended for Ringo to sing (but the song's range was out of Ringo's vocal capabilities), and thus his tribute song to John, "All Those Years Ago," was released in 1981. Ringo drummed, Paul provided background vocals, and old friend George Martin produced...

                                            Living with good and bad
                                            I always looked up to you...

                                            Deep in the darkest night
                                            I send out a prayer to you...

                                            You point the way to the truth
                                            When you say All You Need Is Love
                                            You were the one who Imagined it all
                                            All those years ago

                                           You were the one that they said was so weird
                                           All those years ago
                                           You said it all though not many had ears
                                           All those years ago
                                          You had control of our smiles and our tears
                                          All those years ago...

November 1981 saw the release Ringo's album STOP AND SMELL THE ROSES. The back cover shows Ringo in a policeman's uniform, with an empty, gun-less holster. Ringo's head is bowed, and he holds three roses:


In the credits of the album, only-child Ringo gives us a hint as to whom the three roses might represent:


Paul wrote and performed on "Private Property" and "Attention" on ROSES (and also helped out on "Sure To Fall"), while George wrote and played on "Wrack My Brain" and played guitar on Ringo's remake of the Duprees' "You Belong To Me." And in his final album nod to the Beatle days, Ringo and his buddy, the late Harry Nilsson, reworked Ringo's "Back Off Boogaloo," complete with more than a few Beatles song references.

In his 1982 TUG OF WAR, Paul pours his heart out in an imaginary conversation with John:

And if I say I really knew you well
What would your answer be
If you were here today?
Well knowing you
You'd probably laugh 
And say that we were worlds apart
If you were here today...

But as for me
I still remember how it was before
And I am holding back the tears no more
I love you...

And if I say I really loved you
And was glad you came along
Then you were here today
For you were in my song
Here today

In the years following John's death, Paul, George, and Ringo seemed to find ways to be around each other. Ringo appeared in Paul's 1984 movie, Give My Regard To Broad Street. By this time, Paul had fully accepted the part the Beatles legacy played in his life; in the film, Paul performs new takes on such Beatles gems as "Yesterday," "Good Day Sunshine," "Here, There, and Everywhere," "Eleanor Rigby," and "The Long and Winding Road."
George's 1987 album, CLOUD NINE featured the fun Beatles' tribute song, "When We Was Fab." The video is priceless. Sharp-eyed Beatles-peoples will notice a quick scene in which all four of the boys are represented. George and Ringo are present in the video, and someone dons a walrus costume and plays a left-handed bass. George says it's Paul inside the costume, Paul says it isn't he; John sang "I Am the Walrus," but Little Nicola in MAGICAL MYSTERY TOUR said, "No, No You're Not!" and John told us in "Glass Onion" that "...the walrus was Paul." Oh, those Beatles and their silliness!! (And is Paul really dead, or what??)
But the coolest part of the scene in the "When We Was Fab" video is when a guy walks into frame carrying John's IMAGINE album, with the back cover facing the camera. 
Ah, there we go, all four Beatles:


Ringo, George, and Paul continued to mention the Beatles days in song.
In "Cockamamie Business," George sings about how he "...got my face on Ed Sullivan."
Ringo's "Liverpool 8": 
                                             In the USA we played Shea
                                            We were Number One
                                            When I look back, it sure was cool
                                            For those four boys from Liverpool

All those years ago, in 1961, John, in typical Lennon style, told a reporter how the Beatles got their name:
   "I had a vision that a man came unto us on a flaming pie, and he said, 'You are the Beatles with       
     an A.' And so we are."
In 1997, Paul named his new CD, FLAMING PIE. 

Of course, two years earlier, Paul, George, and Ringo did indeed reunite, albeit electronically, with John to produce "Free As A Bird" and "Real Love." PG&R added additional vocals and instruments to a couple of John's demos, provided to them by Yoko. 
They wanted to do a little something special to commemorate the releases of THE BEATLES ANTHOLOGY 1, 2, and 3. (As if three double CDs of previously unreleased Beatles stuff weren't special enough!)

On my November 26, 2012 and December 2, 2012 blogs, I wrote how Paul and Ringo remembered George after his passing on November 29, 2001. If you haven't read them yet, you might enjoy  them.

On April 4, 2009, Paul and Ringo performed together on stage at Radio City Music Hall in NYC as part of a benefit concert for the David Lynch Foundation, which raises funds to teach Transcendental Meditation to at-risk youths.
Then, on July 7, 2010, Paul surprised Ringo on Ringo's birthday, by appearing at the conclusion of the Ringo and His All-Starrs concert (once again at Radio City Music Hall).
I was super lucky enough to be in the audience at both these events. I will somehow try to describe the feeling in a future blog. 
However, until that blog, I will tell you that I've read articles by veterans of the music business that were at the shows, and they wrote that they have never felt Radio City Music shake like it did when Paul and Ringo appeared on the stage.
(Both of those events are available on YouTube, as are just about every other song I mentioned on this blog.)

From the time I heard my first Beatles record, back when I was a fifth-grader, I had put the Beatles on a pedestal; I had learned things from listening to their songs, especially later-period Beatles albums, that I never would have learned otherwise.
As I grew older, along with the Beatles, I noticed the "cracks" in their armor; the foolish insults to each other and, at times, downright nastiness. The results of their over-indulgence of substances that sometimes made them appear "ugly" and "crippled inside."
George tried to tell me about his struggles in his song "Living in the Material World," but I guess I wasn't listening closely enough.
Petty in-fighting was only supposed to be experienced by us mere mortals; Beatles were supposed to be above all that stuff.

But now I know better. And it's because I've never stopped learning from the Beatles. 
They've taught me that we're all humans who make mistakes. We're all idealists and we're all realists. We all do stupid things, whether you happen to be a member of the most popular, influential group in music history, or whether you happen to be a blogger who wishes they could have been his best friends.
But above all, the Beatles have taught me through their very public breakup, to Ringo and Paul smiling and hugging each other tightly on stage at Radio City Music Hall, that humans can rise above nastiness, separation, and even the ultimate- - loss of loved ones -- to love again, to love each other again, and to bring tears of joy to others because of it.

It's for those reasons, and for so many others, that there is not a pedestal high enough to place these four, special human beings upon. 
The four friends I've never even met...John, Paul, George, and Ringo...

The one and only, fabulous
BEATLES!!!!



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If you enjoyed reading my blog, would you kindly consider reading my book about my quintuple open-heart bypass surgery? It's funnier than it sounds, I promise! 
It's called SEE YOU IN CCU ~ A LIGHTHEARTED TALE OF MY OPEN-HEART SURGERY.

Visit my book website at  www.PlanetLudwig.com to buy it.

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Good health to you all, Steve L.